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◢ Notes on Dreadlocks!

mulattafury:

One of my followers asked me for some tips on drawing dreadlocks today. Since I figure dreads have kind of become my “thing” that I do, it couldn’t hurt to put together a little collection of notes and tips about dreadlocks and drawing them.

LOTS of reference images and process info behind the cut!

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posted:1 day ago, 1096 notes
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◥ Asked by
Anonymous
Any tips on drawing mouths?

jazzumon:

gingeredpolarbears:

i-see-light:

Oh gosh I will try

I do basic closed mouths like

altered pretty easily for parted lips

annnnnd teeth…

You can put as much or as little definition into your teeth as you like, but I go about halfway

And remember that it’s dark inside mouths, and that there’s a tongue in there. I’m terrible at tips, I’m sorry! Polararts has a much better tutorial haha.

Naw, teeth are helpful~ I forgot to mention how to do those. xD

lmao no matter what you do dont ask me to explain this hehe

posted:5 days ago, 33773 notes
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30 Uncommon Character Development Questions ( send me a number )

edhelernil:

  1. What position does your character sleep in? ( i.e; stomach, side, back, etc. ) Describe why they do this — optional.
  2. Does your character have any noteworthy features? Freckles? Dimples? A scar somewhere unusual? etc.
  3. Does your character have an accent? What does it sound…
posted:6 days ago, 17664 notes
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littleulvar:

I focus on the basic shapes first, and I find sharp lines best for this (don’t be afraid to exaggerate), like so:

image

image

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acesparklegirl:

tsundereserket:

marisalivingston:

To those anons that have asked me.



*SCREECHES BECAUSE OH GOD THIS IS GREAT*
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plays

posted:2 weeks ago, 283961 notes
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anatomicalart:

Quickest way to improvement? Practice. It’s a simple bit of advice that rings with absolute truth. Articles, tips, mentors, and study will never get you as far as rolling up your sleeves and getting down to work, be it animation or any other skill. Today we’ve compiled a list of exercises, like animation push-ups, that will get your art skills buff and toned.
Maybe you still need convinced of how important the “Art of Doing” is? Look no further than the early days of animation, especially at the Disney studio. Here were a group of animators (before being an animator was even a thing) who HAD no books to read, or websites to visit, or even experienced animators to ask. They learned via the age old art of hands-on training, experimenting and discovering as they went. And some would argue they created some of the greatest animation to ever be seen. Masterpieces like the dwarfs dancing in Snow White or the terror of the Monstro scene in Pinocchio. So be like them! Get out there and do animation!

Some of these exercises you may have done or seen before; some maybe not. Consider doing each of them, even if you did once previously, because returning to an old exercise to see how much you’ve progressed is a very valuable experience.
Level 1 Exercises
(Do not discount their simplicity! Here you have the principals of animation, which all other animation is built on. They are worth your time and effort.)
Ball Bouncing in place, no decay (loop)
Ball Bouncing across the screen
Brick falling from a shelf onto the ground
Simple character head turn
Character head turn with anticipation
Character blinking
Character thinking [tougher than it sounds!]
Flour Sack waving (loop)
Flour Sack jumping
Flour Sack falling (loop or hitting the ground)
Flour Sack kicking a ball
Level 2 Exercises
Change in Character emotion (happy to sad, sad to angry, etc.)
Character jumping over a gap
Standing up (from a chair)
Walk Cycle [oldie but goodie!]
Character on a pogo stick (loop)
Laughing
Sneezing
Reaching for an object on a shelf overhead
Quick motion smear/blur
Taking a deep breath [also tougher than it sounds!]
A tree falling
Character being hit by something simple (ball, brick, book)
Run Cycle
Level 3 Exercises
Close up of open hand closing into fist
Close up of hand picking up a small object
Character lifting a heavy object (with purpose!)
Overlapping action (puffy hair, floppy ears, tail)
Character painting
Hammering a nail
Stirring a soup pot and tasting from a spoon
Character blowing up a balloon
Character juggling (loop)
Scared character peering around a corner
Zipping up a jacket
Licking and sealing an envelope
Standing up (from the ground)
Pressing an elevator button and waiting for it
Starting to say something but unsure of how
Level 4 Exercises
Character eating a cupcake
Object falling into a body of water
Two characters playing tug-of-war
Character dealing a deck of cards out
The full process of brushing one’s teeth
A single piece of paper dropping through the air
Run across screen with change in direction
Sleeping character startled by alarm then returning to sleepy state
Opening a cupboard and removing something inside
Putting on a pair of pants
Opening the “world’s best gift” and reacting
Any of the above exercises using a very heavy character/object next to a very light character/object. Enhance the differences the weight change makes!
Things to keep in mind:
Reading these exercises will do as much for you as reading about push-ups would do for your physical muscles: NOTHING. If you want the benefit, you must animate them. Take a deep breath and just do it.
Do not forget the famous words of Ollie Johnston: “You’re not supposed to animate drawings [3D models]. You’re supposed to animate feelings.” If a character isn’t thinking, they aren’t alive, and the animation has failed.
Keep it simple! There is no reason to over complicate any of these exercises. Going back to push-ups, would push-ups be harder if while doing them you also recited the Gettysburg Address? Yes. Would they be any more beneficial? No. Keep things nice and simple and clear.
Do your best. There is no reason to do these exercises poorly. Give it your all. You don’t have to show anyone, these are for you. You owe it to yourself to try your very best. Something not quite right? Take the time to fix it.
As always, have fun. Push ups are not fun. Animation is supposed to be. Be joyful in your work!
Have any questions about the exercises above? Leave a comment below and we’ll answer them the best we can! Someone else may be wondering the exact same thing, so you’ll help them too. Likewise if someone is looking for possible exercises, why not share a link to these and give them a hand?

Article featured on AnimatorIsland.com [Source]Article composed by J.K. RIKIMARCH 18, 2013Follow @AnimatorIsland on Twitter for more updates tips and tricks.
posted:2 weeks ago, 16029 notes